If you have read any of my other posts then you already know that I am a fan of Podcasts and Audiobooks. Today, I revisited one of my favourite Ray Bradbury novels in F451, with a great audio version narrated by Tim Robbins.
One of the many things which struck me this time around was just how quickly Bradbury gets the story moving.
After a quick page or so of describing the Fireman Guy Montag doing his job and returning to the Fire Station we – along with the protagonist – are confronted with Clarisse McClellan.
I wondered if this was where Thomas Harris got his inspiration for Clarice Starling in The Silence of the Lambs. I also couldn’t shift the image of Julie Christie as Clarisse in Truffaut’s cinematic version from 1966.
Back to the novel and Clarisse starts to question Guy Montag and his profession as a Fireman, musing on the possibility that Firemen used to put out fires not start them.
Bradbury moves so fast here. How did she pick him out? Was she waiting for him? What made her think that he was different? The strong opening imagery of Montag now confronted with an alternative possibility takes just six pages.
Montag returns home to find his wife has attempted suicide and we become aware that his life, and the life of the society we have been dropped into, is not positive or healthy. Like Hamlet we realise that something is rotten in the state of Denmark.
Is Montag mad? Suffering from a disease spread by the very things he burns? Or like Hamlet, is he the only sane person in a cast of the mad or those who do not even realise they are just as trapped as he is?
Within fourteen pages, pretty much everything is set for the rest of the story.
Within twenty-three pages we have met the Mechanical Hound, which Montag is convinced doesn’t like him, and Captain Beatty, who we don’t trust the moment he explains that the Hound doesn’t think anything that ‘they’ don’t want it to.
Main character. Catalyst character asking questions. Difficult home life/relationship. What will pursue the Main character. The Antagonist.
Then let the story play out . . .